Of course, all of the effects can be sequenced over the chosen length with independent envelopes. They’re then processed with low pass/high pass filters, semitone pitch intervals, panning, gates, and more. These repeats can be set to play out for specified lengths of time like 1/4 notes to 2 bars (or more) in length with the “Length” parameter. The size of the repeat is easily selected with values like 1/4, 1/16, etc. When enabled, you can trigger perfectly synchronized repeats. The large “glitch” button in the center of the effect turns the effect on and off, and can be easily automated specifically. Since these type of effects are meant to be left on all the time, this make a lot of sense.
The idea is that the processed song, bus, or musical part is totally unaffected until the Glitch button is pressed.
Glitch Bitch by default is disabled which makes it perfect for creating glitch/stutter effects.
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